Writing Process:
1. Choose a topic: LoveÕs impact in the novel
2. Find quotations/concrete examples
3. Identify interesting ideas: Gatsby abandons dreams,
MyrtleÕs desperation kills her
4. Craft thesis
5. Hunt for more ideas in text; reread sections of the novel
6. fine tune thesis
Thesis: (Although it motivates and inspires,) In The
Great Gatsby, love is primarily a
destructive force that brings the characters to ruin
Intro: Gatsby, as well as Myrtle to
a lesser extent, are inspired by Love.
In order to chase their romantic dreams, they ÒcreateÓ themselves. GatsbyÉa flamboyant millionaire. MyrtleÉa sophisticated woman of
leisure. However, the same love
that drives them ruins them, etc.
I. Gatsby has dreams of becoming a
self-made man until he meets Daisy.
II. Once he loses her to Tom,
Gatsby canÕt move on. InsteadÉ
III. Myrtle Wilson also lives with
a destructive illusion that love will rescue her from an unhappy life.
IV. In the end love blinds both
Gatsby and Myrtle to the disastrous effect of falling for a Buchanan.
Conclusion: In a way, Daisy and Tom
are ruined, too.
v What
structure will I employ?
v Where
are the transitions articulated?
v Does
it look like IÕm sticking to and advancing my argument?
v Hey,
what if I didnÕt want to write about Myrtle? LetÕs look at that outline.
Thesis: In The Great Gatsby, love is primarily a destructive force that brings leads Gatsby to ruin
Intro: Gatsby has the ability to
ÒcreateÓ himself. A motivated
idealist, he erases his humble beginnings and, after meeting Daisy, transforms
himself into the flashy Gatsby everyone knows of, but no one knows. He is living the life he has always
imagined for himself. However, his
motives for buying a resplendent mansion have changed. Once, Gatsby wanted to be rich only for
himself. But when love enters his
life, it destroys his original dreams and, in the end,É
I. Gatsby has dreams of becoming a
self-made man until he meets Daisy.
II. Once he loses her to Tom,
Gatsby canÕt move on. InsteadÉ
III. The desire to become rich
leads him to a life of crime.
IV. Love also blinds Gatsby to the
hollowness of both Daisy and the lifestyle he embraces.
V. Ultimately, Gatsby is left with
his idealism, but—tragically—nothing else.